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Neumann


Neumann M 150
 
The new M 150 Tube takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.
 
The Titanium diaphragm of the pressure capsule is 12 mm in diameter and is exceedingly thin. Although Titanium has been known to have unique and desirable characteristics for some time, it has, until very recently, been very difficult to procure in the quality necessary for use in a microphone of this type.

The headgrille is shaped just like that on the original M 50, as requested by various top engineers in the recording industry. Due to mounting the pressure capsule with the diaphragm flush to the surface of a small (40 mm) sphere, the directional characteristic of the M 150 Tube is entirely unique.

At the lowest frequencies, this system is a pure omnipressure transducer with a perfectly circular polar pattern. However, in the mid- and upper frequencies, the pickup pattern becomes more narrow. The M 150 Tube is an ideal microphone for any stereo, 5.1 or 7.1 surround recording, particularly the DECCA Tree technique.
 
$5749

Neumann M 149
 
The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.

Two slide switches are located below the headgrille. The switch at the front allows selection one of nine directional patterns: omnidirectional, wide-angle-cardioid, cardioid, hypercardioid, figure-8, and one additional intermediate pattern between each major position.  The slide switch at the rear operates a seven-step high pass filter, advancing in half-octave steps between 20 Hz and 160 Hz (-3dB), allowing for very fine adjustment of the cut-off frequency.
As its ancestors, the M 149 Tube is a superb vocalist microphone, not only because of the capsule, but also due to its modern circuitry, characterized by extremely low noise level.

The capsule is mounted elastically inside the headgrille to eliminate structure borne noise. The surface below the capsule is shaped like a cone to disperse any reflected sound from the acoustic upper half space. This avoids any interference with the primary sound arriving at the capsule directly.
The microphone comes as a set in an attractive aluminium case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.

$4499

Neumann U 87ai
 
The U 87 is probably the best known and most widely used Neumann studio microphone.  The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986.  It features a dual-diaphragm capsule that is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8.  A 10 dB attenuation switch is located on the rear, enabling the microphone to handle sound pressure levels up to 127 dB without distortion, along with a high pass filter switch.  This reduces low frequency interference directly at the input of the microphone amplifier.
 
The U 87 is a good choice for most general purpose applications in studios, for broadcasting, film and television and can be used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.
 
$2799

Neumann USM 69i
 
The USM 69 i stereo microphone has two separate dual-diaphragm capsules, made out of gold-sputtered polyester film.  These are mounted vertically and rotate against each other over a range of 270°. Color markings on the lower capsule system help to identify the angle by which the upper capsule has been rotated.
The directional polar patterns can be selected separately for each capsule.  Along with the usual polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and a wide-angle cardioid pattern.  And, since the capsules operate independently from each other, this microphone is suitable for XY and MS recordings.  The outputs of the two microphone channels can be linked (cascaded).  In addition to the individual directional patterns, other characteristics are available through the combination of both channels.
 
The microphones may also be used as completely independent mono microphones. There are many applications when it is important to have a second mono microphone as a backup, or when the outputs of microphones with different polar response characteristics must be available simultaneously. 
 
$5599

Neumann M 147
 
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49.

Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level.  The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.
The famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments. The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital.
The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets.
 
$2399
 

Neumann TLM 49
 
The TLM 49 is a large-diaphragm studio microphone with a warm sound especially optimized for vocal performance.  The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47.

By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.  During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.
 
The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47, which provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional.
 
The TLM 49 is supplied as a set, with an elastic suspension mount.
 
$1499